Xenia Artemova

Mildlight Feminine Signature Font

Give your designs an authentic handcrafted feel. "Mildlight Feminine Signature Font" is perfectly suited to signature, stationery, logo, typography quotes, magazine or book cover, website header, clothing, branding, packaging design and more.

Thanks for use this font ~ Maulana

Introducing, New Orleans, a Stylish Handwritten Script

New Orleans is a stylish handwritten script that contain lowercase, uppercase, symbol, and also support multi language. This font also comes with essential ligature that will make your text more natural. New Orleans also suitable for logo branding, beautiful fashion design, suitable for wedding invitation, or handwritten quote. Also already PUA Encoded.

Foreign Languages Support: ÀÁÂÃÄÅÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØÙÚÛÜÝàáâãäåæçèéêëìíîïñòóôõöøùúûüýÿ

Ahsan & Sinta!

Create your own beautiful moments with Ahsan Sinta fonts. A beautiful script that is suitable for romantic projects. Ahsan Sinta fonts has Opentype Features that can be accessed easily with your any opentype apps.

Btw, All of alternates and special characters at this font are included in one file. This way will make your work easier and can be finish more faster. So you don't need to change fonts when you want to access alternative letters. Simply by selecting the letters you want to change, an alternative letter pop-up will appear on your work page. It will works on program or software that support the Opentype like Adobe Illustrator, Adobe Photosop, and Adobe Indesign).

But, if you don't have any opentype programs?

It's ok. you can still accessing the glyphs with FontBook (Mac) or Character Map (Windows).

That's it. I hope this font are perfect for your work and hope you like it too.

Hopefully this font is what you have been looking for.

Thank you ~

Arbinova is a strong slab serif font. With its swash and beautiful arrangement of letters, this typeface will look outstanding in both formal and non-formal designs.

This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Caps only Fonts.

Designed between italic and script styles

Airco is a typeface designed between italic and script styles. The letterform finish is rounded. Designed ultra slanted (27°), the shapes evoke a fast and assertive movement. The result is a human typeface, dynamic, that will visually work well in technology and sport, without ever being dry, rigid or dehumanized. The structure of the letters is influenced by Renaissance italics, at the difference that in the case of Airco, the lowercases and capitals are visually homogeneous thanks to the giants lowercases. In fact, the default numerals can be used in capital as well lowercases settings.

Between geometry & shapes inspired by nature, in 4 fonts

Audace was born as a response to a simple brief: how to visually express human interaction and technology with abstract forms? The starting point is a humanistic sanserif, to which are added external references: design pieces, furniture, buildings. Architects shape our world with the intention to reconnect nature, human and address a perfect functionality. Not so far to typeface design which combines a personal vision and ensures good legibility in a certain context.

Audace — like the works of those artists, designers, architects — is clearly influenced by the tension of the line, the play with negative space, the dynamics, the surprise, the nature that will influence the shapes of the letters. So if a v is asymmetrical, and the y based on similar asymmetry but in reverse, these two shapes help to distinguish from one to the other. This is a consequence of the influence of forms from design and art in the design of the Audace. And this small example illustrates the confrontations of the designer’s influences: the search for the most unique shapes, but without compromising on function: to be read, to be legible, even at very small size in the worst conditions.

Audace, between geometry and shapes inspired by nature

30s inspired geometric inline display typeface

Several titling typefaces made their appearance at the start of the 20th century, notably Acier and Bifur, both created by French poster artist Cassandre. Later, in the Netherlands, S.H. de Roos designed a version of Inline for its Nobel family called, naturally, Nobel Inline. AW Conqueror Inline pays homage to this beautiful version.

AW Conqueror superfamily

AW Conqueror Didot is part of a larger family, who include 4 others subfamilies with great potential: They’re but based on same structure, with some connection between them (width for example), to offer a great & easy titling toolbox to any designers, from skillful to beginner. Each of the members try their best to be different from the others because of their features. They should work harmoniously in contrast.

Club des directeurs artistiques Prix 2010

European Design Awards 2011

Taranto is a geometric retro futuristic display font family strongly based on the reduced, constructed aesthetics of the Sci-Fi Movie posters and old record covers of the 70s. Made for poster titles, record covers and extravagant print designs. The font family includes a special filled version of taranto that can be used as a stand-alone or to be placed under the thin or regular version. Alternates are available for some letters (A, m, n and others)

Words in a blurry world want to be more firmly anchored in the line - this is the task of the Slab-serif, characterized by solid heels. They can be used in extreme sizes – under 6 points – as well as on huge tarpaulins covering trucks, boats and house facades. Carot serves its robust clarity. The eye takes a while to become accustomed to various character simplifications, but then comes a refreshing reading perception, familiar texts get actual sound.

The whole Carot system of 64 members offers a modern alternative for all types of design work.