Xenia Artemova

What intrigued me about Buslingthorpe was the virtuoso challenge it presented, of designing a typeface that would, despite a ridiculously tiny x-height, still possess a coherent harmony betwen upper and lower case, and read confortably. At the same time, beyond pure plastic formality, I was aware that there are strong connotations of historicism in this noble style, with overtones of regal magnificence, on account of the extravagant leading and generous point size required for adequate visibility—in traditional letterpress printing such proportions, with so few characters per square inch, were pricey and devoured resources. There are two iconic early 20th century designs in the genre: Koch Antiqua (Rudolf Koch, Klingspor Foundry, 1922) and Lucian (Lucian Bernhard, Bauer Foundry, 1925). Both these have x-heights smaller than fifty percent of ascender height, which nominally defines the category. So I made these my benchmarks, and determined to outdo them in dramatic fashion. —Nick Shinn, Orangeville, March 2021

Introducing Strong Grandpa, a super bold retro script font which will bring back to 60s - 70s fell. Inspired from retro typography and lettering in the 60's and 70's combine with bold typography style. it’s great for any project that needs a retro vibe or vintage touch.

Strong Grandpa is perfect for vintage and retro design, badge, logos,t-shirt, poster, branding, title, heading, packaging, signage, book coverand so much more!

Yes, finally. This one took the most time and the most restarting. Years went into imagining what Lust Text should look like and how it should structurally behave in order to truly improve upon a setting that includes any of the Lust typefaces. I approached it as much from the side of the type designer, as I did a potential user. The flow, the warmth, the personality needed to be there, but all of the excess had to be removed responsibly. In the process, and in need of inspiration, I looked backward to historical artifacts and precedent. In each early Lust Text approach, the solution was lackluster and/or vanilla and not actually a ‘Lust’ typeface. The exercise was not in vain though. By exploring past examples, I found my footing drawing for media now and how it might be used later—all the while, producing seamless, elegant curves and restrained indulgence (that sounds almost silly to say, but I like it).

The Lust Collection is the culmination of 5 years of exploration and development, and I am very excited to share it with everyone. When the original Lust was first conceived in 2010 and released a year and half later, I had planned for a Script and a Sans to accompany it. The Script was released about a year later, but I paused the Sans. The primary reason was the amount of feedback and requests I was receiving for alternate versions, expansions, and ‘hey, have you considered making?’ and so on. I listen to my customers and what they are needing… and besides, I was stalling with the Sans. Like Optima and other earlier high-contrast sans, they are difficult to deliver responsibly without suffering from ill-conceived excess or timidity. The new Lust Collection aggregates all of that past customer feedback and distills it into 6 separate families, each adhering to the original Lust precept of exercises in indulgence and each based in large part on the original 2010 exemplars produced for Lust. I just hate that it took so long to deliver, but better right, than rushed, I imagine.

Hidayatullah is a bold and distinct display font, featuring Arabic influences. Expertly designed to make your creation look out of this world, this font has the potential to take your ideas far further.

Maves is a modern and elegant font designed with a unique futuristic touch. Perfect use for classy visual brand identities such as logos, headlines, titles, labels, websites, stationery, business cards, or any advertising purposes.

Maves includes:

• Modern all caps fonts
• Numbers and punctuation
• Multilingual
• Opentype features

We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so you can see and access all Glyph variations.

We hope you enjoy our font - please do let us know by emailing us at info@prestigetype.com or prestigetypestudio@gmail.com if you need something!

Grandmaid is a family Sans Serif font designed with carefully handcrafted. Also suitable for branding, T-shirt, Classic Design, Logotype, and any project. Comes with a tons of ligature and alternates make your life more than comofortable, easier to design and free stress.

Hi, Everyone! If you’re looking for a gorgeous font to attract your audiences or customers then we’ve got the font for you!

Introducing Miguel- A Serif Font

This handmade font typeface with modern style looks very interesting for loads of different projects and promotions. It is perfect to be used on your website, for your social media branding, Pinterest banners, printed products, and more!

Features:

• Multilingual Support
• PUA Encoded
• Numerals and Punctuation

Thank you for downloading premium fonts from Din Studio

Hi, Everyone! If you’re looking for a gorgeous font to attract your audiences or customers then we’ve got the font for you!

Introducing Magelo - A Serif Font

This handmade font typeface with modern style looks very interesting for loads of different projects and promotions. It is perfect to be used on your website, for your social media branding, Pinterest banners, printed products, and more!

Features:

• Multilingual Support
• PUA Encoded
• Numerals and Punctuation

Thank you for downloading premium fonts from Din Studio

Geometric, stylish, and not quite a stencil face: Glance Sans is the urban alter ego of Glance Slab—a strong-willed sans-serif with no frills but a few unique character traits.

Glance Sans follows the design principle of nonjoining parts that made Glance Slab successful. Some strokes may not connect to their stems, creating visible gaps and thus, a dynamic impression of balance and movement. However, Glance Sans has a calmer appearance due to the lack of detached serifs. If Glance Slab’s home territory are large, crowded stadiums and massive sports events, Glance Sans prefers streetball courts, well-used skate parks, and underground clubs. It also adapts to urban work environments from finance to high-tech. Whenever a more toned-down look is called for while retaining the elegance of an athlete, Glance Sans is ready to roll.

In the city environment, versatility is key. That’s why Glance Sans sports 7 weights as well as a complete set of italics. These are not just sloped romans but individually drawn letterforms, subtly referencing classic italic construction for more effective emphasis. Among the 600+ glyphs of Glance Sans, you’ll find goodies such as six sets of figures, circled numbers, circled arrows, and all kinds of currency symbols in two stylistic versions. Glance Sans is a great tool for industrial and high-tech branding, for wayfinding systems in contemporary or modernist architecture, for corporate identities in arts, crafts, medicine, culture, and education, and for all kinds of sports-themed design.

Both members of the Glance superfamily are easily and effectively combinable; both are able to stand on their own feet. With its powerful italics, you might opt for Glance Sans as your text typeface and use Glance Slab for headlines. Or you set large, clean, display-sized lines in Glance Sans and spice them up with a bit of sportive Glance Slab. It’s up to you to decide how to bring out the best in both of them.

Concepts Font Family is a handmade vintage script, sans serif and sans serif bold. Inspired by classic western culture, custom culture motorbikes and combine with vintage touches. There are so many perfect fonts to integrate into your design, especially in vintage designs. With the beauty of this font package, this font is great for logos, badges, clothes, posters, and more. This font comes with opentype and truetype features and also many alternative styles to enhance your design.Features

• Basic Latin A-Z and a-z
• Numbers
• Symbols
• Stylistic Set
• Ligature
• PUA Encode

Multilanguage Support To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7.There are additional ways to access alternates, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac).If you have any question, don't hesitate to contact me by email.

Ricasto is a script typeface with vintage and rustic look! They works perfect for you who needs a typeface for headline, logotype, apparel, invitation, branding, packaging, advertising etc. This typeface is comes in uppercase, lowercase, punctuation, symbols, numerals, stylistic set alternate, ligatures, etc.

Comes with a full uppercase, lowercase, numbers and punctuation + standard multilingual support. We recommend using Adobe Illustrator or Photoshop.

Enjoy!

Allison Style is my newest font duo. Contain two fonts, the delicate serif and a free hand writing script. This font duo also support multilingual, number and symbol, end swash and many ligatures. Also this font already PUA Encoded.

Constantine - an exquisite display modern serif, inspired by classic roman arts and vintage cars aesthetics. Specially designed for luxury, clean, high-end projects, perfectly suitable for creating elegant, classy design such as magazine, social media, and more. The font features standard ligatures.

Legible, technical, clear—with a hint of retro: Compiler is a no-frills font family straight from the heart of a microprocessor.

Inspired by console typefaces, the humanist sans serif typeface combines a large x-height with striking serifs on certain letters such as i and l. Those serifs evoke the aesthetics of monospace typefaces for programming. Even though Compiler is a proportional typeface, this detail improves glyph recognition and helps differentiate between individual letters. Combined with vertical stroke ends, which allow for particularly even spacing, the serifs make for an extremely legible typeface. (Even in small sizes.) 

Brand recognition guaranteed: Compiler is ideal for applications that require a mechanical flavor without appearing offish. You can use it for websites, apps, branding, corporate design, annual reports, signage, and many other areas with perfect results.

Compiler consists of two font families; the second one is Compiler Plain. In Compiler Plain, the signature letters lose their serifs and the forms of "a" and "g" are simplified. This way, the shapes are neutralized. The technical impression recedes into the background. Both families can be combined smoothly: you might use the standard Compiler fonts for display sizes and Compiler Plain styles for body copy. For total design control, you can toggle each of the defining design elements individually from Compiler to Compiler Plain and vice versa. Just use Stylistic Sets to fine-tune your Compiler fonts.

Compiler provides you with 8 weights in 4 variations: Upright, Italics, Plain Upright and Plain Italics. That's a total of 32 fonts. Each style contains more than 860 glyphs, including advanced typographic tools such as proportional and tabular figures (both lining and old-style) or small caps—something you'll rarely find in this genre. Other glyphs are optimized for display sizes, such as circled figures and various arrows. There's also a set of glyphs designed for web use: with symbols for shopping carts, hamburger menus or checkboxes, you can implement your web projects elegantly and consistently without relying on third-party tools (like an external icon font).

Powered by highly productive OpenType functions, Compiler is an intermedia workhorse straight from cyberspace.

Mirande is a classic serif typeface with lots of style. A minimal contrast look that has been synonymous with fashion for decades.

This font is both modern and nostalgic and works great for logos, mastheads and pull quotes. It pairs beautifully with a minimal sans serif or light script font.

The extreme contrast between thick and thin strokes gives Mirande a harmonic and stylish look

Bastia is a classy, bold upper and lowercase typeface that looks incredible in both large and small settings. Best used as a display for headings and logos, Bastia's clean lines and smooth curves give any project an extra touch of class.

See how it looks when used for body text in the 11th sample image above. I also love combining Bastia and clean sans serifs for minimal logos (see the "Lucky Finch" sample logo).

This download also includes a special outline version of the serif, so you can layer text or add some flair to your logos and display type.

There are also alternates available for "k" and "s" that give each letter some extra curves (available via the special characters panel

One thing to note about Bastia is the letter spacing. It was intentionally spaced for clean reading if you wanted to use it for body type, so I recommend setting the spacing a little tighter for display use (around -10 to -20 should do!).

Includes:

• Bastia Bold (uppercase & lowercase)
• Bastia Bold Outline (uppercase & lowercase)
• Numbers & punctuation
• Foreign language support
• Alternates for "k" and "s" – available via the special characters panel

Rhomantics is a sans serif font that carries a classic style. Rhomantics font takes a simple form but still has a classic feel in its shape so it is easy to identify each character of the letter to make it easier for us to read. This font can be used in invoice designs, history book covers, branding, advertisements, business cards, etc.

Need a font for a brand and personal visual identity? Introducing, our outstanding premium font duo, Raluxe; consisting of a ligature-rich Serif and elegant Script. These fonts are designed to pair harmoniously, specifically use for brand visual identities and personal identities such as logos, headlines, titles, labels, stationery, magazine, fashion industry, social media banner, business cards, or any advertising purposes. This typeface has been made carefully to make sure it's premium quality.

Features :

• numbers and punctuation
• multilingual
• ligatures
• alternates
• PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Email us to info@prestigetype.com or prestigetypestudio@gmail.com if you need something!

Hope you enjoy with our font!

Asdaen is an elegant and unique font that uses ligature to link letters perfectly, to make it look beautiful,

Asdaen Ligature has 80+ ligature, replace letters and punctuation that makes it very flexible, Ligature can be turned off if not needed, and with Asdaen becomes your attractive design style,

Asdaen also comes with a swash ligature,

It is also equipped with 420 Glyphs, and also features OpenType.

Asdaen Ligature is perfect for all kinds of designs such as posters, business cards, wedding invitations, greeting cards, books, magazines, banners, logos, blogs and more.

Asdaen has given PUA encoded (fonts with special code).

This Font Equipped:

Uppercase,

Lowercase,

Figures & Punctuation,

Stylistic Alternatives,

Ligatures,

Language Support.

If there are any questions, Please contact me, at malindocreative@gmail.com,I really need your support and advice, and I am happy to help you.

Thanks For support,Hopefully Useful,And Good Luck For You.

Thrillers is a typeface that evoques the visual landscape of Crime Novel Titles. This high contrast super condensed semi-serif design comprises 6 weights that provide you with a ton of options for your Headlines, Titles and Branding. Because of its minimal white space it is very punchy and its unusual texture captures our attention.

End the suspense and go test it out!