Xenia Artemova

Another jewel of the vast treasure of historical font designs was digged out and brought to life again. Due to the courtesy of the Quay Brothers, London, who yielded to me an age-old brochure of Albert Auspurg’s ‚Miami‘, released by Schriftguss in 1934, I was able to redesign this elegant font. This font which I called ‚Elbflorenz‘, a cognomen for Dresden, contains West and Central European type faces as well as those for Romanian and Turkish.

To get access to the historical number sign please use either the OT feature additional ligatures or ordinals.

Big Dreams is a handwritten script font. It is casual, classy, and beautiful. It’s a great font for fashion, 

apparel projects, signature, album cover, logo, branding, magazine, social media, & advertisements, 

but also works great for other projects.

Meet Proda Sans, a humanist typeface with geometric construction inspired by the humanist-style sans serif faces that were popular in the mid 20th-century. Its calligraphic influenced letterforms have been adjusted to have geometric’s low-stroke-contrast for better legibility. The medium x-height give it a warm and delicate appearance, and keep your page bright.

It's a family of nine weights plus matching italics. The thin and the black weights are great for display purposes. The light, book and regular weights are well suited for longer paragraphs and smaller texts.​​​​​​​ 

Proda Sans is developed for advanced typography needs. The OpenType fonts have an extended character set to support 200+ latin-based languages. For full presentation please visit my Behance profile.

Paper Works is a font created to enhance each design with a touch of bold, unique and decisive style. Paper Works is made in a handwriting style so it is suitable for use in product design and display titles. Paper Works also includes 2 different styles, including Regular and Outline, which are made to give different styles but still have the same character. Paper Works are included in the display font category so Paper Works can be used for any designs that have a cheerful, elegant and strong impression. It will also be very suitable when used on titles, logos, product posters, websites, menu books, books, and many designs that can be explored using document fonts. it will look very beautiful and easy to remember and very easy to use.

Oldblend is a playful and elegant retro font and was designed as a display type for titles, headlines, and posters and will work well with any retro execution. It is characterized primarily by a modern look with straight shapes, but on closer view, you will notice its subtle connection to retro type design.

Oldblend includes uppercase, lowercase, ligature and also Multiple Language Supported

I can’t wait to see what you guys will come up with with using this font!

Andarillo is a display typeface inspired by vintage travel posters and magazines. The complete glyph set contains uppercase, small caps, numerals, punctuation, ligatures and multilingual support. Andarillo is perfect for logotypes, magazines, titles, posters, advertising and branding communication.

Pixerius is a family of pixel fonts containing 3 characters in width and 12 styles, from square shapes to very rounded ones. There is also a tracing mixing letters of different widths in a random order. The font is suitable for logos, large headlines, posters and signs. It combines the classic retro character of 8-bit games and the playful character of a random set. Pixerius contains extended Latin, Cyrillic, ligatures and space invaders. It contains OpenType features: liga, numr, dnom, calt, ss01, ss02. The font is also case sensitive, has fractions, currency signs including the ruble sign.

Introducing Regave, a typeface inspired by Danish style lettering based off the work of Knud Valdemar Engelhardt (1882–1931) who designed the street signs for the Copenhagen suburb of Gentofte. The Engelhardt's design was loosely based on the lettering of two Danish architects of the time: Thorvald Bindesbøll (designer of the Carlsberg logo) and Anton Rosen. The signs were so successful that they’re still in use today.

The most noticeable characteristic of Danish style are:

• a flat apex of the A
• the widening of diagonal terminals
• a double-storey g with its loop terminating before it forms the bottom most stroke (Erik Spiekermann coined this a Danish g)
• a single-story g with a stumpy tail
• a K with an almost laterally moved crotch, connected to the stem by an extra horizontal stroke
• widened diagonal connecting strokes forming flat apex or baseline strokes

Regave comes in 11 weights from Thin to ExtraBlack with matching italics and also available in Variable Font format for more flexibility in weight selection. This family also equipped with useful OpenType features such as Ordinals, Superscripts, Subscripts, Stylistic Alternates, Stylistic Sets, Proportional Lining, Standard Ligatures, Fractions, Numerators & Denominators. Each font has 490+ glyphs which covers Western & Eastern Europe, and other Latin based languages – over 200 languages supported!

Regave will be suitable for many creative projects. This masculine, strong and unique typeface will be suitable for logos, posters, presentations, headlines, lettering, branding, quotes, titles, magazines, headings, web banners, mobile applications, art quotes, advertising, packaging design, book title, and more!

Kanvas is a flowing calligraphy script. 

The typeface was drawn and created by Måns Grebäck between 2017 and 2020.

Its flowing shapes are inherited from mid-century advertising, being soft and friendly while retaining a sturdy forward movement. 

Kanvas is a typeface family consisting of five weights: Thin, Light, Regular, Bold and Black. 

Use it for an invitation card, in a celebratory context or as a logotype. 

The font contains all characters you'll ever need, including all punctuation and numbers. 

It has an extensive lingual support, covering all European Latin-based scripts.

Dash Horizon is a new sporty, modern and fresh script with a bold, strong style making this font look extreme, strong, and tough for any awesome project that needs a sporty look.

Dash Horizon features the distinct impression of speed. It works well in vintage racing posters, automotive t-shirts, motorcycle events, garage signs, kid's cards, esport logos, race numbers, extreme sports and more.

The altered cut glyphs feature as the capitals of the font; to sample the cuts and ligatures type in ALL CAPS in the Typetester.

Ardela Edge is opentype in overdrive. Its a stylised geometric sans serif family with extreme cuts, sharp angles and multi-sensory interactive ligatures. Affected characters are spread into three upper-case only subfamilies, with distinct styles, and different personalities. The bold character breaks and considered ligatures create edgy, modern type that feels like bespoke typography. 

Ardella Edges three subfamilies appear as - X01, X02, X03

These three styles create thousands of combinations with options from super minimal to the more experimental. This is a hands on designer package, available in 9 weights, with italic and outline faces and as a variable font - each one containing over 550 glyphs.

Full European latin based language support.

Ardela Edge's three family concept means all character alternates are accessible to all, on any software. The cut glyphs feature as the CAPS of the font, whilst the unaffected letters appear as the lowercase.

Many subtle ligatures are accessed by typing in all caps, however to access all ligatures requires software with opentype capabilities, such as Adobe Illustrator, Photoshop, InDesign or Inkscape.

RMU Bison is my revival of Julius Kirns hot-metal font, which first was released by Weber in 1935. The versatile timeless brush font was extended as to cover the main Western and Central European languages plus Turkish.

Nyata™ — Clearly Visible, No Matter What.

I love London for its finest visual branding, especially its Johnston typeface spreading all over the city. It inspired me to create this new font family: Nyata™.

Nyata means clearly visible in Indonesian. The typeface is designed to be clean, unique, and legible. It is a great combination for any display requiring high legibility, such as city’s way finder. 

Long ascenders help some characters more obvious. You will never confuse wether it is an h or an n. Moreover, I tried to create all the letters are distinguishable. Of course, no time for people to doubt between Uppercase “I” and lowercase “l” when seeing a way finder. Last but not least, it is equipped with tons of OpenType features such as slashed zero to help the words more obvious, or stylistic sets if you don’t fancy the serifed uppercase I.

Nyata™ is also delivered in Variable Font format. Enjoy all the styles and everything in between in one variable font only sized less than 150kb.

Wakerobin takes its charming swagger from the hand-painted billboard, poster and signage lettering of the mid-19th century. These showy styles did everything they could to stand out from the background cacophony of advertising, with signwriters using sharp and high contrast serif letters, squared block shapes, or art nouveau forms to grab the attention of passersby. 

Wakerobin embraces the spirit of these letterforms, bringing these various styles together in one typeface - as if users had their own sign painter on hand. Just as lettering artists had to adapt to a variety of sizes - from wide streetcar lettering to compressed forms that squeezed into narrow Victorian windows - the variable version of Wakerobin scales up and down in width to fit whatever environment the user’s working in. The static fonts come in three widths and five weights. 

As well as its adaptability, Wakerobin is bursting with vintage flavour, making it hard to ignore. Its distinctive, spiky serifs would be right at home on food and drinks packaging, as well as shop windows, adverts, and any other place that calls for some typographic showmanship. It performs particularly well in busy environments, or anywhere with a lot of visual noise - just as its historic predecessors did. And while Wakerobin is first and foremost a display typeface, it’s surprisingly elegant when used at text size, or in the lighter end of the weight spectrum.

Hologram is a font inspired by a combination of the future and the past. The intention was to design a font that was most effective when applied to Largely Displayed text like Headings, rather than for smaller extended bodies of text.

There are 3 distinctive styles offered in the Hologram font family. Each style contains over 350+ Glyphs per style with support for up to 26 Languages as well as specialised kerning & spacing.

• Display Sans: This style is the cleanest of the 3 fonts. There are no serifs attached to the ends of the strokes, although the stroke weight is varied from thick to thin depending on the letters.
• Display Serif: This style contains modern serifs at the ends of most character strokes that give more structure to the shapes. A majority of the serifs are horizontal in direction with few characters containing vertical serif details.
• Display Wedge: The most Bold of all is the Wedge Serif style offered. Featuring thick and thin triangular serifs at the ends of character strokes. This style is most effective in Large Displays & Titling uses.

Designed by KAZER STUDIO

Stana is clean and tall display font. There are more than 150 glyphs included.